A School for Fools by Sasha Sokolov
A School for Fools
Author: Sasha Sokolov
1976
"...what will happen to us this night will resemble a flame consuming the icy desert, a shower of stars reflected in a piece of a mirror that in the darkness suddenly fell out of its frame to warn its owner about the proximity of death. It'll resemble the shepherd's pipe and the music that has not been written yet."
"You want to leave the moat, to go back to the room; you’re already turning and trying to find the door, covered with fake leather, in the steep wall of the moat, but the master succeeds in grabbing your hand and, looking straight in your eyes, says: Your assignment: describe the jaw of a crocodile, the tongue of a hummingbird, the steeple of the New Maiden Convent, a shoot of bird cherry, the bend of the Lethe, the tail of any village dog, a night of love, mirages over hot asphalt, the bright midday in Berezov, the face of a flibbertigibbet, the garden of hell, compare the termite colony to the forest anthill, the sad fate of leaves to the serenade of a Venetian gondolier, and transform a cicada into a butterfly, turn rain into hail, day into night, give us today our daily bread, make a sibilant out of a vowel, prevent the crash of the train whose engineer is asleep, repeat the thirteenth labor of Hercules, give a smoke to a passerby, explain youth and old age, sing a song about a bluebird bringing water in the morn, turn your face to the north, to the Novgorodian barbicans, and then describe how the doorman knows it is snowing outside, if he sits in the foyer all day, talks to the elevator operator, and does not look out the window because there is no window; yes, tell how exactly, and in addition, plant in your orchard a white rose of the winds, show it to the teacher Pavel and, if he likes it, give the white rose to the teacher Pavel, pin the flower to his cowboy shirt or to his dacha hat, bring joy to the man who departed to nowhere, make your old pedagogue—a joker, a clown, and a wind-chaser—happy"
"...whether it's the bitter treasury of folk wisdom or sweet adages and dicta, whether it's the dust of the bedamned or the dismay of the beloved, the sacks of bums or Judas's sums, whether it's movement from or standing by, the lies of the defrauded or the truths of the defamed, whether war or peace, whether stages or studios, taints or torments, whether darkness or light, hatred or pity, in life and beyond it—whether it's any of these, or anything else, you have to make good sense of it"
"The song of the years, the melody of life. Everything else - is not you, all others are strangers. And you yourself, who are you? You don't know. You'll get to know it later, when you string the beads of memory. You'll be what is most endearing, most cruel and most eternal"
Author: Sasha Sokolov
1976
"...what will happen to us this night will resemble a flame consuming the icy desert, a shower of stars reflected in a piece of a mirror that in the darkness suddenly fell out of its frame to warn its owner about the proximity of death. It'll resemble the shepherd's pipe and the music that has not been written yet."
"You want to leave the moat, to go back to the room; you’re already turning and trying to find the door, covered with fake leather, in the steep wall of the moat, but the master succeeds in grabbing your hand and, looking straight in your eyes, says: Your assignment: describe the jaw of a crocodile, the tongue of a hummingbird, the steeple of the New Maiden Convent, a shoot of bird cherry, the bend of the Lethe, the tail of any village dog, a night of love, mirages over hot asphalt, the bright midday in Berezov, the face of a flibbertigibbet, the garden of hell, compare the termite colony to the forest anthill, the sad fate of leaves to the serenade of a Venetian gondolier, and transform a cicada into a butterfly, turn rain into hail, day into night, give us today our daily bread, make a sibilant out of a vowel, prevent the crash of the train whose engineer is asleep, repeat the thirteenth labor of Hercules, give a smoke to a passerby, explain youth and old age, sing a song about a bluebird bringing water in the morn, turn your face to the north, to the Novgorodian barbicans, and then describe how the doorman knows it is snowing outside, if he sits in the foyer all day, talks to the elevator operator, and does not look out the window because there is no window; yes, tell how exactly, and in addition, plant in your orchard a white rose of the winds, show it to the teacher Pavel and, if he likes it, give the white rose to the teacher Pavel, pin the flower to his cowboy shirt or to his dacha hat, bring joy to the man who departed to nowhere, make your old pedagogue—a joker, a clown, and a wind-chaser—happy"
"...whether it's the bitter treasury of folk wisdom or sweet adages and dicta, whether it's the dust of the bedamned or the dismay of the beloved, the sacks of bums or Judas's sums, whether it's movement from or standing by, the lies of the defrauded or the truths of the defamed, whether war or peace, whether stages or studios, taints or torments, whether darkness or light, hatred or pity, in life and beyond it—whether it's any of these, or anything else, you have to make good sense of it"
"The song of the years, the melody of life. Everything else - is not you, all others are strangers. And you yourself, who are you? You don't know. You'll get to know it later, when you string the beads of memory. You'll be what is most endearing, most cruel and most eternal"
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